Lighting

1950s Gino Sarfatti Model #10 Metal Sconce for Arteluce

$2,000
Two Enlighten

Los Angeles, CA · Reported available

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Model / collection

Model #10

Type

Wall lights & sconces

Period

1950s

Measurements (dealer text)

custom period-style ø3.5" backplate

Materials

Executed in painted aluminum and custom fabricated period-styled brass backplates

Metal

Condition

Wear consistent with age and use: some minor scuffs and dings; noted only for accuracy. Please note that one representative lamp of each color is photographed, but all lamps are in

Please note that one representative lamp of each color is photographed, but all lamps are in similar good vintage condition and present well in pairs or groupings.

Additional details
Design / publication date

Originally designed between 1937-1941

Shipping & pickup

1950s Gino Sarfatti Model #10 Metal Sconce for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount over a standard American j-box for hardwiring. Ball jointed arm allows flexible shade adjustments and multiple configurations. Arteluce was one of the most innovative lighting design companies in Italy during the midcentury era. Their designs have been long sought after by collectors in the know. Ref: Romanelli & Severi "Gino Sarfatti: 1938-1973, selected works" p. p. 386 + various configurations pp. 69 & 151. Originally designed between 1937-1941, the simplicity of Sarfatti's iconic Model #10 "detto Calla" or "Lily" shade design with its sculptural shape makes for an incredibly refined example of the lighting master's style. Salvaged from a midcentury building in Italy slated for demolition, these were originally configured in multi-shade half-rings that were mounted around pillars. Price is per item. 12 green and 10 white available. Four red and 5 black available. Local pickup available from Los Angeles. Professionally rewired for US electrical. Professionally repainted with custom period-style ø3.5" backplate to accommodate a US junction box. Accommodates a single max 40W equivalent candelabra base (e12) LED bulb (not included). Not UL listed, but recommended UL listing possible from authorized 3rd party vendor upon request for an additional fee. Wear consistent with age and use: some minor scuffs and dings; noted only for accuracy. Please note that one representative lamp of each color is photographed, but all lamps are in similar good vintage condition and present well in pairs or groupings.

Dealer notes

1950s Gino Sarfatti Model #10 Metal Sconce for Arteluce. Executed in painted aluminum and custom fabricated period-styled brass backplates designed to mount over a standard American j-box for hardwiring. Ball jointed arm allows flexible shade adjustments and multiple configurations. Arteluce was one of the most innovative lighting design companies in Italy during the midcentury era. Their designs have been long sought after by collectors in the know. Ref: Romanelli & Severi "Gino Sarfatti: 1938-1973, selected works" p. p. 386 + various configurations pp. 69 & 151. Originally designed between 1937-1941, the simplicity of Sarfatti's iconic Model #10 "detto Calla" or "Lily" shade design with its sculptural shape makes for an incredibly refined example of the lighting master's style. Salvaged from a midcentury building in Italy slated for demolition, these were originally configured in multi-shade half-rings that were mounted around pillars. Price is per item. 12 green and 10 white available. Four red and 5 black available. Local pickup available from Los Angeles. Professionally rewired for US electrical. Professionally repainted with custom period-style ø3.5" backplate to accommodate a US junction box. Accommodates a single max 40W equivalent candelabra base (e12) LED bulb (not included). Not UL listed, but recommended UL listing possible from authorized 3rd party vendor upon request for an additional fee. Wear consistent with age and use: some minor scuffs and dings; noted only for accuracy. Please note that one representative lamp of each color is photographed, but all lamps are in similar good vintage condition and present well in pairs or groupings.

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