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Art

Vintage Mid Century Modern Expressionist “Procession” Oil Painting, c.1960’s

$795
Vintage Supply Store

Commerce, CA · Reported available

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Type

Paintings

Dimensions

Height 28 in × Width 22 in × Depth 1 in

Condition

Original Vintage Condition

Items in listing

1 ID Number: 10641

Dealer notes

SPECIFICATIONS Designer: Unknown Manufacturer: Unknown Country: United States Materials: Oil On Canvas Period Style: Abstract Expressionist Date of Manufacturer: 1960’s Condition: Original Vintage Condition Number of Items: 1 ID Number: 10641 Dimensions: 28”H x 22”W x 1”D Description: This striking vintage oil painting captures a mysterious procession of elongated figures through a richly layered, atmospheric setting. Executed in an Abstract Expressionist style, the composition combines recognizable human forms with sweeping gestural brushwork, dramatic abstraction, and areas of heavily textured impasto. A subdued palette of black, cream, blue-gray, ochre, coral, and muted green creates remarkable depth while giving the scene an almost ceremonial quality. The unframed canvas and expressive surface emphasize the raw, spontaneous character of the artist’s technique, making the painting especially compelling from both a distance and up close. Dating to the 1960s, this original work embodies the experimental spirit of Mid-Century American painting while remaining wonderfully enigmatic in both subject and interpretation. Fun Historical Fact During the 1950s and 1960s, Abstract Expressionism dramatically changed American art by emphasizing gesture, emotion, texture, and the physical act of painting itself. While artists such as Jackson Pollock and Franz Kline pushed abstraction to its extremes, many painters continued incorporating recognizable figures and environments into similarly expressive compositions. Thick applications of oil paint and palette-knife techniques, like those visible throughout this work, allowed artists to physically build texture onto the canvas and make the surface itself part of the composition. By the 1960s, this freedom to move between abstraction and figuration had become an important part of the broader American Modernist movement.

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